Still mind-blown by this concept. It's arguably even more imaginative than Liu Cixin's scifi works, since people expect so much from books and screen creations but so little from disabled individuals, who have career dreams and need financial protection.
A Soldier Wearing a Ball and Chain
Eminent American judge and legal scholar Oliver Wendell Holmes, Jr. once expressed the following disturbing opinion: “If I were having a philosophical talk with a man I was going to have hanged (or electrocuted) I should say, I don’t doubt that your act was inevitable for you but to make it more avoidable by others we propose to sacrifice you to the common good. You may regard yourself as a…
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"No hearing is sharper than that which can hear silent soul-quakes and muted battle cries.
No sight is more acute than that which can see a real tomorrow where a beggar's child and a president's child have the same odds of receiving a maximally uplifting and productive education."
—Her Excellency Ilera, non-hearing founder of the Extratemporal Serenetics Habitat
100% Human-written. Not quite the last we're seeing of Ilera.
– if no one has ever told you, (via pinterest)
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The Asian Drama Philosopher (A-Philosopher)’s Chair provides weekly updates of literature, art and ideas featured in Korean/Japanese/Taiwanese/Chinese dramas.
Thingamajigs have a lot to say today✨🖤
In an alternate universe, all the warmongers around would be disciples of butterflies instead.
MBC 드라마 《신입사관 구해령》 (2019)
There may be such a woman.
For at least eleven hours a day, her analytical, artistic, emotional and ethical minds are collectively locked up in a Taylorist cell block where the mantra is familiarly simple: Don’t question, don’t tell. Every reasonable client is aware that this is a dog-eat-dog world, so it is up to him or her to look out for personal interests not yet covered by contract law or even fiduciary law. If you value your principles and dreams over your corporation’s needs, you are a selfish hypocrite. Oh, and complain all you want at the water cooler; just remember to put back your angel mask and keep your head low at meetings.
That much is not really astonishing. No one in this place is a one-day-old. What stuns more is the utterly dim calaboose she toils away at her daytime lockup to return her body to every night, where broken bottles and suspicious pools of liquids bedeck the streets, literal rock concerts never cease, homeless druggies openly spread their limp bodies on pavements, and drunken Cinderellas and Cinderfellas bang on random doors when the clock strikes twelve.
Change might come with time but, given a burgeoning workload and an increasingly creepy cardiac rhythm, it must come soon. So, one night, she decides that if all jobs are this suffocating, she might as well take the best-paid one. It’s time to head back to graduate school, except that, this time, economic logic shall prevail over passion and intrigue.
As part of her research on Wealth and Investment Management MScs, she hunts down sample class videos from different business schools. Nestled among the suggested clips accompanying one search result, though, is a familiarly curious title that hypnotizingly whispers to her, Shopaholic Louis-style. It is the name an adviser, frowning over yet another overloaded course plan from her, pressed her into canceling out all those years ago right when meeting times for the semester did not conflict with those of her core classes. And soon, before her eyes, is an entire playlist for her narrowly missed destiny.
What harm could playing the introductory video at 2x do? Business schools’ admissions websites would not vanish in 30 minutes’ time. Ah, that was a collegiate equivalent of a soulful tearjerker but covered mostly basics she learnt in other classes. Application deadlines are half a year away, so there is ample room for a second lecture. Cool! The plot thickened pretty fast. Her college and graduate school debts are still badly in arrears. Can she be certain that she truly understands everything without attempting an unseen problem? Fetch homework sets from the official homepage tomorrow. Had she been bolder in imagination, she would have gotten question 7 right. Try harder for lecture three’s assignments. She has run out of eligible guarantors for a third loan. Lecture 11. Course completed. What a satisfying visual feast! Hey, the blurb of the follow-up course sounds fascinating too. It is not that she does not love investment banking. How about challenging herself at that course while the material of this course is still fresh in her mind? It is that she loathes investment banking. Mathematical logic has trumped economic logic.
How do you hold every number up to infinity in the palm of your hand without a poetic soul? Scoop out a round piece of dough and fancy being able to spread it so thin that it stretches to infinity. But instead of actually spreading it, roll up the edge to form a sphere. Let the bottom tip represent zero and the top tip represent infinity. As a point on the surface moves up from the bottom, it can have components that are each positive or negative, real or imaginary, depending on which pairs of opposite longitudes you assign the real number line and imaginary number line (recall: e.g. …, -10i, -9.99i, … , 0, … , 9.99i, 10i, …, where i is the square root of -1) to. The rise in value of each component accelerates with height, such that the physical gap representing any given numerical difference shrinks infinitely on the surface of the sphere as infinity approaches, making it harder and harder to advance and actually reach infinity. You are now cradling a physical version of the Riemann sphere.
© Jean-Christophe BENOIST, modified under the permission of CC BY-SA 3.0. P(A), around 1.5 in value, on the sphere corresponds to A on the grid, which represents the same numerical system in a typical boundless, regularly spaced 2D format. Similarly, P(B), around -0.5 in value, on the sphere corresponds to B on the grid.
The macrocosm of universal random structures, infinite products, manifolds and many more is a dearly missed oracle that reveals her inadequacies for what they are, without miserliness, patronizing sugar-coating, or, ironically, calculation: her inflexibility, her inattentiveness, her impatience and her indolence. “Shortcuts and cookie-cutter approaches cannot be your default,” it states plainly. So long as they do not cross a certain line, tactful hypocrites, on the whole, seem to be treated better by their surrounding adult peers than sharp-tongued, straight-talking observers with pure intentions in her circle. Yet the more she experiences of the grown-up world, with the heightened stakes and heightened awareness of interpersonal dangers that deter verbalization of contrarian opinions on the one hand and massive clots of intractable ills on the other, the more she wishes to cherish many of those straight talkers. The ideal living beings are, of course, the severely scarce breed who efficiently marry the circumspection, civility and altruistic strategizing that come with tact with the determination to convey, where necessary, uncomfortable truths.
For all its uninhibited criticism, mathematics gives credit where it is due and those who converse with it are frequently safe in the knowledge that it means its flattery. It reassures this corporate internee who feels increasingly stuck in her ways that she still has what it takes to master new grammars and vocabularies. It rewards her finesse at plugging gaps in background knowledge by improvising from scratch techniques taught only in later, simpler courses. What if these skills could let her pivot directly to some sector slightly less lucrative but also less odious to her than investment banking, never mind exactly how competitively relevant her prior higher education and corporate experience are?
Far more certain is that her deliciously madcap approach to this discipline with a matchingly rebellious streak has magically quietened the rock concerts and the intoxicated fairy tales and almost erased the jail bars. Nonetheless, as the faded bars unveil more and more vistas stretching beyond the horizons, she starts to wonder if she will live long enough to look a little further, if she will ever squirrel away enough bucks—after all those deductions for debt payments, taxes, food, rent, basic maintenance and transport—to hike a little closer, and if her wrinkled, financially secure self will continue to have the visual and cognitive acuities to deconstruct or even remember the sights a little longer. The jail bars resolidify to some degree.
Still, if positive infinity and negative infinity have been rendezvousing in a dimension invisible until intrepid mind adventurers outed them, and if functions as diverse as trigonometric functions, inverse polynomials and logarithmic functions share the same class of undercover identities, i.e. infinite sums of terms with increasing powers, maybe, she thinks, escape hatches exist somewhere nearby after all.
There may be such a woman. There may be such a snowless ending by a grilled window.
Note: This work of fiction commemorating Pi Day was inspired by an old Dramabeans guest post campaign, a few heartfelt entries of which have appeared in the admin’s Twitter feed. There is no intention, however, to establish any kind of association with the site. Interested readers can find slightly similar math-life themes in the book versions of Kim Ji-young, Born 1982 (82년생 김지영) and The Devotion of Suspect X (容疑者Xの献身).
Many people in the Asian drama-watching community know of 2011 Chinese production Scarlet Heart (available on Dramafever) as a girl-meets-many-boys time-travel romance, but the rich cultural tapestry within perhaps deserves more credit. Over 35 episodes, viewers are treated to an eye-opening array of Qing costumes, headdresses and jewelry as well as fascinating references to various Chinese teas and snacks. The talented but doomed eighth prince, for instance, is described as favoring “Rizhu Snow Buds” or “Day Cast Snow Buds” (a word-by-word translation; Rizhu is actually a geographical location)—a type of green tea which name is thought to conjure up an image of beautiful snow melting away with the rise of the Sun, leaving only sadness in its place.
Certainly, too, the drama includes a great wealth of literary references, of which a Tibetan poem and a passage by Chinese philosopher Zhuangzi have been discussed on this site before. As a sample of the plethora of Chinese prose and poetry also woven into the script, below are the poems in scenes corresponding to some of those aired in the Korean adaptation so far:
1. The eighth prince sends the heroine, Ma’ertai Ruoxi, Song poet Qin Guan's “To the Tune of Magpie Bridge Immortal,” an extraordinarily spectacular and romantic poem that provides much comfort to couples in long-distance relationships. Its lines would solve the supposed mystery of the above headline. (Original text | Translation)
2. He next sends her “Fallen Low,” a succinct and highly rhythmic work which historically has different interpretations bound by the common theme of human-inflicted suffering. (Original text | Translation â one of the interpretations)
3. When Emperor Kangxi orders Ruoxi to explain why she calls him a good ruler, she quotes the lines "But alas! Qin Shihuang and Han Wudi [...] Look to this age alone” from Mao Zedong’s “Snow.” They may sound sycophantic to modern ears but mark the start of their friendship. If we put aside political differences and regard its mentions of archery and literary prowess as mere symbols of less advanced stages of human civilization, the poem is additionally a reminder that the best need not be in the past — the sources of our problems may also be the sources of our solutions. This is a dose of optimism the world at large can benefit from as it grapples with political, economic and environmental upheavals. (Original text | Translation)
It is unfortunate that time constraints prevent The Chair from listing the numerous other classical texts referenced and far more so that few Western-language drama review sites seem to take a profound interest in East Asian literature. The analysis of the portrayal of regional literature in East Asian dramas is a niche area in cultural critique is badly in need of new blood and, pun intended, a few more scarlet hearts.
An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
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