People Who Don't Wear Glasses Who Are Writing Characters Who Wear Glasses;

I see Crowley’s ‘you idiot’ and agree it’s utterly heartbreaking...

But I raise you Aziraphale’s pleading, ‘Come with me’, is just as much.

No matter how many times I’ve rewatched it, I still feel a thrill whenever I hear Thirteen referred to as Doctor. The gender doesn’t matter at all-- Jodie was fantastic!

The more I watch Peter Capaldi the more I NEED him to make an appearance on Broadchurch.

Preferably as Alec’s dad. Think of the drama. And the eyebrows. And the loud Scottish angry outbursts.

A multi-Doctor special with...

…10-13.  10, 11, and 13 run around like spastic children while 12 has to babysit them all and pretend he doesn’t find their antics amusing.  Tell me this wouldn’t be funny. 10 and 13 will scronch faces at each other and build 5 devices that go “ding!” for no reason by the end of the episode. 

Have you ever thought about the fact that skulls all look like they’re smiling?

Fanfic Ask Meme

Best soundtrack ever made. Seriously.

Non-Disney Challenge⇒1 Soundtrack

↳The Prince of Egypt

Perhaps I’m mistaken here, but every time I watch BBC Sherlock all the way through, I feel like the dynamic of Sherlock and John changes between TRF and TEH. Sherlock is still the brilliant detective and John is still the faithful blogger and friend; but it’s their individual reactions to St Barts and the subsequent two years that have changed how they react to one another. 

Sherlock’s still an insufferable prat most of the time, and he still misses social cues 99.9% of the time, but he’s softer around the edges. The way he interacts with Archie, his reactions to James Sholto locked in his hotel room, his MANY little moments with Mary, all reflect on a man who went through hell during his two years away and rather than becoming even more closed off and alienated than normal actually found it hard to be as much of an island as before. His circle of friends is small but he finds it impossible not to be somewhat gentler to them than before Moriarty’s scheme on the rooftop. Or rather, he had come to care for John and Greg and Mrs Hudson a great deal before the rooftop, but Moriarty forced him to actively prove it and once the lid was popped open it was impossible for it to be sealed completely again.

It’s rather like the Twelfth Doctor, who starts out as oblivious to social cues and more of an anti-hero than any Doctor before, a man who is harsh and unforgiving to those who anger him and has absolutely no recognition of friendship or even the desire to hug; who by the end of his tenure and with the help of his companions, whether it be Clara or Bill or Nardole or even Missy, has softened to the point where he even initiates a hug with Bill and Nardole and clearly has no desire to break it. Of course, Sherlock and the Twelfth Doctor are both written by Moffatt, so it’s not so much of a surprise that their dynamics are so similar.

John, on the other hand, grew sharper due to St Barts and the subsequent two years. His anger with Sherlock’s necessary deception is unrelenting and viscous, and it’s clear that even if he forgave Sherlock of it in TEH we can still see its latent existence all too clearly in TLD. He’s a man who fell to pieces once again in the wake of a life-changing tragedy and when he managed to glue himself back together some of the pieces were either missing or more brittle. He has less patience for Sherlock’s actions, he actively confronts Sherlock about the latter’s drug use during TAB, and I will not even get started in on the morgue scene during TLD. (That will be addressed later in another post eventually.) Where Sherlock’s learned response to the two years-hiatus is newfound understanding, John’s is anger, which all culminates in TLD and finds a somewhat solved dynamic in TFP. 

I’m fascinated by Tess, and I’ll be perfectly honest in saying I do still ship Alec/Tess. This fic itself isn’t shipping in terms of the show but gives a (hopefully) realistic reasoning as to how Alec and Tess may have first met, how their marriage dynamics would have been, and how their marriage ultimately dissolved.

As a shorter summary, Tess can be a possessive bitch and Alec is too “good” sometimes for his own well-being.

Aziraphale’s and Crowley’s discussions are interesting in Good Omens simply because their such utterly different approaches to them. Now I really enjoy Crowley’s points but right now I’m focusing on Aziraphale’s side because despite the several years he’s lived on Earth and the books upon books he’s read he falls back on one simple reason for everything that happens.

Ineffability,

And maybe that reason works sometimes. And it certainly does; it leaves just enough wriggle room, just enough doubt, that his opponent can’t definitely say that he’s wrong. After all, in Good Omens God is real even if He hasn’t been seen or heard from in a few millennia. Crowley can’t say that there isn’t a Higher Plan.

But what he does do is learn how to counter-argue the Ineffability reason.

It seems to me that at this point Aziraphale is using the Ineffable Plan as an excuse. It’s like hearing all the churchgoers out there when questioned about God’s existence or why bad things happen to good people they simply reply, ‘You have to take it by faith, that’s all.’ Take it be faith, take it for Ineffability.

Which of course leads to Crowley’s logical rebuttals. That’s the key difference, I think, when looking at their conversations. Aziraphale relies on the possibility of the Ineffable Plan, while Crowley has taken the time to learn how to perceive an argument on all sides and come up with a counter argument for everything the angel says. His reasons make sense, which only highlights how desperate Aziraphale’s Ineffable argument sounds sometimes.

Which just makes it all the more brilliant when he uses the Ineffable argument to run circles around Metatron and Beelzabub later on in the story.

Wriggle room always wins an argument. He must have learned it from Crowley.