Look Me In The Eyes And Tell Me Neil 'not If It Means Losing You' Josten Isn't Wall-E.

deadpool and wolverine dynamic goes so hard bc despite pretending to give no fucks (wade with his humor & logan with his attitude) they do indeed give a LOT of fucks. the both battle with self worth/esteem issues, they both have unhealthy borderline suicidal tendencies despite not being able to die, they both have/had families they don’t think they deserve. they’re overly violent and brutal and the definition of rated r but they’re also capable of making the choice of ultimate sacrifice time and time again. of such kindness, of holding breakable things gently in their hands (including each others hearts).

Bones is spirk's no. 1 shipper

Star Trek: The Original Series S01E29 "Operation: Annihilate!"

nathaniel, neil, nathaniel, neil. andrew flips the two names around in his head like tossing a coin. heads or tails, the coin always comes up abram. nathaniel and neil are two sides of the same coin; forged in a dark basement, in musty hotel rooms, on the exy court. both hate sweets, love to run, to talk back any chance they get.

some days, the coin lands on nathaniel. jack makes one too many comments at practice and neil - no, nathaniel - has him on the ground, raquet to his neck in an instant. he can't hear what the strikers are saying but through the grate of the helment, andrew sees nathaniel's smile.

others, it lands on neil. andrew finds neil and matt splayed out on the couch, three movies deep into a "pop culture lesson". neil motions for andrew to sit and absently cards his fingers through the blond's hair. matt hides his grin in his sleeve.

but abram; he runs to andrew after each winning game to tap sticks, he sits each friday in columbia, talking about escape routes for an alien invasion, he keeps ice cream in the freezer and cigarettes in his backpocket.

heads or tails, doe or minyard, doe or minyard.

doe was made and unmade in california. 13 homes, 13 film reels constantly playing in the back of his mind, each scene driving the cuts deeper and deeper. andrew doe learns the danger of wanting and vows to keep everyone out.

minyard went to juvie for his brother. he crashed the car to keep him safe. he spent years on medication that sent him up up up to protect his cousin. minyard guards himself with knives sharper than his glare; he protects those that are his and fuck anyone else.

heads or tails, the coin starts to come up drew.

it starts small; quick grins in columbia at neil; shared dinners with aaron that don't end in a fight; something like excitment in his stomach before an exy game. when neil is hanging out with the upperclassman, he stays.

heads or tails; the coin lands on growth

Something about how Jim became so accustomed to Starfleet parlance that it’s the only parlance he can speak at all. Something about how his relationship with his ship and his work as Captain extends to language as well, to the way he handles and expresses his emotions.

Amok Time – Kirk is confronted with the fact Spock keeps a dangerous secret that, if not shared, might end up with his first officer killed

The Apple – With the landing party marooned on a strange planet and the USS Enterprise being pulled ever closer to the ground, Kirk asks Scotty something beyond excellence.

The Doomsday Machine – Commodore Matt Decker stands in the maw of a monster with a dead crew and stripped of any will to live. Kirk tries to bring his old friend to reason, but nothing else can be done for Decker as he looks death in the eye.

I understand how, especially in the third instance with Matt Decker, he might've seemed cold (your buddy is about to off himself, and you remind him the higher-ups spent too much money on his formation), but I see it more as Kirk trying to ground both himself and his friend (who is also a Commodore, might I remind you) than simply reducing Decker to his position.

It also accidentally reveals a lot about Jim (although reveal is not the best word, as that same thought has been explored in numerous episodes before), how much his sense of worth is tied to his job—to how well he can perform and excel at it.

But that's not all he's saying. In both instances (Amok Time and Doomsday Machine), Kirk puts himself in the Federation's place because he sees its recognition as more valuable, more "worth living for" than his own.

It's his way, the way of a man who knows no life other than that of servitude, of saying I care about you, and I don't want to lose you.

It's really tragic that it is not enough to save Decker. If both Matt and Jim share the belief (which appears more often than not in Starfleet overachievers) that your inner worth is tied to how well you can perform it, Matt is left face to face with the rather morbid fact that he failed severely and his whole crew is dead because of it.

To sin is human, yes, but if the Doomsday Machine is the Devil, as the Commodore himself put it, it truly is a shame Decker did not view himself as deserving of forgiveness

For me it’s the detail that the bread Peeta gave her was full of nuts and fruit and grain, and he gave her two full loaves.

Here’s what I think:

He’s been watching her starve for weeks, powerless to help. First he thought her mom would help, then friends, then his father (who loved her mom). Finally he realizes no one is going to help this family. It’s Katniss alone against the world and she’s dying.

But what can he do? He’s 11. His family is too poor to even eat their own bakery’s bread unless it goes bad. His mother watched their resources like a hawk and she’s violent and short tempered. He’ll only get one chance and he needs to make it count.

He starts planning. He’s only going to get one chance and he needs to make it count. It’ll be logistically easier to give her bread than game or produce and he knows she can make it last longer too. He looks around and thinks about which bread to give her. First he wonders which one she’ll like the most but then he realizes no, it needs to be as calorie-dense as possible because he will not get another shot. So he picks their densest loaf, really it’s more of a fruitcake, and he starts to plan how to get it to her.

Then one day he hears his mom screaming at her for going through their empty trash. It breaks his heart but he knows this is his chance. He runs to the fire and dumps some freshly cooling bread straight into the flames.

Watching Mirror, Mirror for the first time is an experience that is so fucking hilarious and awesome.

Like the costumes for the mirror universe are so cool to look at and the fact that the og landing party is just in Kirk's quarters going "I wonder how alternate us is doing" and it cuts to Shatner screaming bloody murder as he's being dragged by red shirts.

Mirror!Kirk's threats are also so fucking funny because Spock is just so unbothered with this man that isn't his Jim. Like he knows this ain't his husband and therefore he does not give a fuck.

Shoutout to Kirk's look of horror when he realized that Spock would have to deal with evil versions of the landing party without him. Truly iconic homosexual behaviour.

You know, I think that you can pin down EXACTLY what kind of person someone is depending on whether they prefer Jane Eyre or Wuthering Heights

I could literally KILL for an Aziracrow edit with "Like real people do" by Hozier

I love that four episodes into production TOS writers decided to reveal that James T. Kirk has an indefensible impulsive immoral evil monster in him, which is a core enough part of his being that it’s actually half of him, and he literally cannot live without it, and that the lesson of the episode was not learning to kill him, but learning to embrace and even comfort him. It makes so much sense that, when he has the choice, he chooses not to kill his enemies. He must look at them sometimes and see his own face.

As @gunstreet once said, The Apple is Spock’s Terrible, Horrible, No-Good, Very Bad Day.