Everyone clap for non consensual body modification everybody loves a character whose body has been altered against their will
Can you do a prompt about the Hero being apart of a team and Villain is forced to work with the Hero's team after being kicked out of their own villian team. The members of the Hero's Team doesn't trust the Villain but the hero does, mostly because the hero thinks the villain cute and reminds him of someone.
Very inspired by prompt 339.
The alarm blared across the spaceship. Red lights flashed on and off. The hero put down their sandwich. What was it now? They looked down at their watch. An incoming call was coming in from their second in command. The hero left the dining bay, running, and picked up the call. Their second’s distressed face projected above the watch. The hero held up their wrist as they ran.
“What’s the issue?” The hero said.
“Your fugitive!” Their second shouted. Veins were popping out of his forehead.
The hero sighed. “What has the villain done now?”
“Come and see for yourself! We’re next to the greenhouse.”
On the plus side, by the time the hero got there, the flashing lights and the blaring alarm had turned off. On the other hand, half the crew was standing there, everyone glaring at the villain. The hero slowed down, trying to piece together what had happened from everyone’s faces.
“This is why we don’t just pick up every criminal we-”
The second cut himself off when he saw the hero. Everyone else saw them and quickly scattered. Except for the second and the greenhouse head. The hero approached them. They gave the villain a quick look. They looked very pretty, as always. But also very guilty. Not a good sign.
“Okay. What happened?”
“Disaster, captain!” the greenhouse head said. Her eyes went wide. “They sampled the hybrids!”
‘The hybrids’ were several cross-plant breeding projects the on-ship farmers were working on. They were an innovation, considering the mixed plants were from different planets. A project like that could get you access to any planet across the galaxy. They took a long time to grow, and only 5 out of 100 would ripen well. So they were saved for the most important diplomats across the Milky Way. And the villain had eaten some.
“You’re joking,” the hero said.
They looked back at the villain. The villain blinked for a second, remembered what they had done, and took a deep bow of apology. Mostly, the hero thought, to avoid eye contact with the three people staring daggers at them.
“I’m truly, deeply sorry, captain. I didn’t know the fruits were of significance.”
The hero had to tamp down a laugh. The villain’s tongue was purple with fruit juice.
“The fruits,” the greenhouse head mocked. “They’re scientific marvels! Why, I-”
“Hey,” the hero touched her arm. “How about you take a minute. Survey the damage. Get back to me later. Okay? I’ll deal with them.”
The greenhouse head looked even angrier, but she nodded. “Okay, captain.”
She stomped back into the greenhouse and slammed the door. The hero gestured at their second to get lost, too. He frowned. The hero gestured again. He rolled his eyes.
“I hope you finally see what a mistake this was,” the second said.
Then he turned on his heels and walked away. His heels clicked down the corridor. The hero rubbed their temple. The people on this ship sometimes acted no older than five.
“Hey. Look at me.”
The villain finally broke their bow and sheepishly made eye contact. The hero tilted their head, surveying the villain up and down. Hopefully the villain would think they were just assessing the situation. The hero looked into the villain’s eyes again and started walking backwards.
“Follow me.”
The hero did this sometimes. They knew this ship with their eyes closed. And it was more convenient looking at someone while they talked. Bonus, it made the villain focus on them, trying to see if the hero tripped up. After watching the hero make two flawless turns, the hero finally started the interrogation.
“Tell me what happened.”
The villain rubbed their arm. “Okay, so, like I missed mealtime, right? So the dining bay wasn’t serving food anymore.”
“There’s always food. Make a sandwich.”
“But I didn’t want a sandwich.”
“Fine. So you went into the greenhouse?”
The villain nodded. “I was just picking some fruits for a snack.”
“And you didn’t notice the giant ‘don’t touch’ sign above the hybrids.”
“I don’t think so? Or I ignored it. I’m not sure.”
Of course they weren’t. The hero came to a sudden stop. The villain almost ran into them. The hero turned to their left. The room was numbered 38625B. Their office. They pressed their thumb to the scanner. The door slid open.
“Come in,” the hero said, moving inside.
Their office was a desk with high shelves on either side. They contained books, gadgets, and pictures from across the stars. Behind the desk was a mounted painting of the outside of the ship. The hero knew the villain thought the painting was a little over the top. But the hero loved their vessel.
The hero sat down at their crowded desk and had the villain sit across from them. The hero went into a desk drawer and rooted around. Finally, they pulled out a sheet of paper. They put it on the desk so the villain could see it. It was the agreement the villain had signed a few months ago, when they had just boarded the ship. It was an agreement to behave according to the ship’s code of conduct. The hybrids were explicitly mentioned. The hero plucked a pen from their overstuffed pencil holder and pointed at the clause.
“You’ve done some strange things on this ship. Spreading greenpox-”
“I didn’t know I had it when I boarded!”
“-and making the soap in all the bathrooms explode everywhere-” “I was just testing their durability.”
“What about almost killing Lucky?”
The villain rubbed their neck. “My bad. But dogs are contaminated with a million diseases.”
“That’s what his shots are for. Remember how you didn’t have any for greenpox?”
“Okay, point taken.”
The hero continued. “But messing with the hybrids? Clear violation of the code of conduct.”
“Trying to kill the dog wasn’t?”
“We’re not supposed to have dogs on the ship. So.”
“I knew it!”
“Anyway,” the hero tapped the contract. “I have grounds to kick you off this ship. Abandon you on the next sparsely populated exoplanet and let you find your own way.”
The villain took in what the hero said. It gave them pause. “But. . .you’re not going to?”
The hero balled up the paper and tossed it in the trash can next to their desk. “Nope.”
The villain stared for a second. “The crew’s not going to like that.”
“Which is why I’m going to draft up a new contract, without hybrids, and we’re going to pretend that was the agreement all along. Like I forgot to add it.”
“You never forget anything,” the villain said.
“I almost never forget anything,” the hero responded.
The villain reached out and clasped the hero’s hands. The hero looked down at where their skin touched and tried not to blush. This must be a custom on the villain’s planet.
“Thank you,” the villain said. “How can I ever repay you?”
“By behaving,” the hero deadpanned.
They pulled their hands back. The villain was smiling wide. “I don’t know why you’ve decided to help me, but I’m eternally grateful.”
The hero smiled back. “If I left you, you would just find another gang to get abandoned by, and we’d find you again in six months trying to rob us to make ends meet.”
“Hey,” the villain said. “Rude.”
“But I’m not wrong.”
The villain didn’t have to know how cute the hero found them. Or that they reminded the hero of everyone back home they had a crush on. The villain would probably tell everyone, and the crew wouldn’t take kindly to the hero giving someone they found attractive special treatment. But boy, did it make it hard to look at the villain’s face and stay mad. If the hero ever even was mad.
“Okay,” the hero said. “Get out of here. I don’t want to see you leave your quarters until tomorrow.”
“But-”
“I’ll bring you food later! Just get out of here.”
The villain nodded. They stood up, bowed once more, and quickly shuffled out. The hero leaned back against their chair and sighed. Why did they always fall for criminals? It was going to get them in big trouble one day.
Then again, you only live once. The hero hated to say it, but they were looking forward to visiting the villain’s room later.
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⎉: @chaotic-orphan Let me know if you'd like to be added or subtracted from the taglist!
TW: sex work, intoxication, dissociation, emotional numbness, implied exploitation.
Line dividers by @sister-lucifer!!!!
The city thrums with restless energy. Rain glides off glass and metal, pooling in the cracks of neglected streets. Overhead, neon burns in artificial constellations, flickering with the air, carrying the scent of ozone, of damp pavement, of banks and smog.
Bok moves through it all, drifting and drowning.
He is warm with liquor, a heat that coils in his gut and dulls the static fuzz at the edges of his mind. The club had been suffocating—smoke and sweat, bodies pressed close, hands lingering too long. But out here, beneath the buzzing glow of a malfunctioning streetlamp, it is cold. Cold enough to bite through the feigned haze of his intoxication.
A cigarette dangles between his fingers, its ember flaring as he takes a slow drag. Smoke unfurls from his lips, curling into the damp night air.
A voice reaches him, smooth, expectant. “Looking for company?”
Bok glances up through strands of damp blonde hair, eyes lidded and unfocused. The man before him is tall, well-dressed, an air of shrewdness about him.
He doesn't answer. Not immediately. He sways slightly, the world tilting at an odd angle.
The man chuckles, pulling out a slim card between two fingers. “I’ll make it easy.” A number. A sum. More than most.
Bok blinks slowly, then takes it.
¶¶¶¶
Bok falters after the figure, credits heavy in his pocket, though his body feels lighter than ever. The neon haze outside the bar stains his skin in shifting colours: red, blue, green.
The stranger leads him through a narrow corridor, past flickering signs and the hum of electrified advertisements. Their breath fogs together in the cool night air. Bok doesn’t ask where they’re going.
Inside the chartered room, the lights are dim, and the bed is clean. The stranger—tall, dark-eyed—shrugs off his coat. Bok sways, catching himself against the wall, blinking at his own reflection in a cracked mirror. He looks different here, distorted, his hair a mess of damp strands, lips parted.
“Don’t fall asleep on me,” the man murmurs, stepping closer. A hand grazes Bok’s jaw, tilting his chin up. His pupils contract automatically at the proximity. The stranger’s grip is firm, assessing. “You’re more pleasing than I expected.”
Bok exhales a soft laugh, tilting his head to expose more skin. “I know.”
It doesn’t matter. Nothing does. Just the press of hands, the exchange of currency, the contract that follows.
¶¶¶¶
Hal Hawkins sits in a cold metal chair, wrists bound, the sting of the restraints biting into his skin every time he moves. Across from him, Agent Ricky watches, expression unreadable, hands clasped on the steel table between them.
The room is sterile, suffocating in its stillness. The kind of place where time distorts, where confessions are extracted like rotting teeth.
“I am going to ask this once more, Hawkins.” Ricky’s voice is calm, deliberate. “Did your charge exhibit these characteristics?”
A flick of fingers. A projection hums to life, casting eerie blue light against the dull walls.
Photographs, sketches. Rows of servants, their smooth heads imprinted with the signature navy star, and a smaller star at their commissure; their bodies identical in stance.
Hal grits his teeth. “No, because I didn’t fucking know—”
Ricky barely reacts. He studies Hal as if dissecting something small and predictable. “And yet you harboured him. A freestyle automaton, even, of sorts. A security threat.”
Hal exhales sharply through his nose. “I harboured a human person.”
Ricky tilts his head slightly. “Is that what you told yourself?”
Silence stretches between them, thick and suffocating.
Ricky leans forward, eyes narrowing. “You had relations with this servant, Hawkins.”
The words land like a blow. Hal stiffens, fists clenching against the cuffs. The motion tugs at the wound beneath his ribs—a sharp, lancing pain that flares outward.
He feels the slow dampness under his shirt. Every breath pulls at the stitches, raw and unhealed.
The wound is still a weakness. A liability. A reminder of the night he nearly died on his bathroom floor.
A reminder of Bok, standing above him—eyes wide with something that might have been horror. Or grief. Or nothing at all.
—The memory presses against his ribs like a phantom limb.
Ricky notices.
A slow, knowing smile creeps onto his face. “No, he wasn’t. But you didn’t know that, did you?”
Hal says nothing.
Ricky watches him for a long moment, then stands, smoothing down his cape. The projection flickers, then vanishes.
The door slides open. A second officer enters, leans in to whisper something into Ricky’s ear. Hal can’t make out the words, but he catches the way Ricky's lips curl at the edges, the amusement in his eyes when he turns back.
“Your nomadroid is still active.”
Hal doesn’t move.
“We’ll find him,” Ricky says, voice light. “And when we do, he’ll be dismantled. Piece by piece.”
Hal’s nails dig into his palms. The restraints bite into his wrists, the sharp sting cutting through the dull ache in his side.
Ricky leans in, voice dropping. “For your sake, Hawkins, you better hope he doesn’t remember you.”
¶¶¶¶
Bok wakes in a bed that isn’t his. The room is dim, quiet save for the distant hum of city life beyond the window.
The stranger is gone. The money remains.
Bok exhales, pressing the heels of his hands into his eyes, as if to scrub something away. His fingers linger against his temples, then drop. He swings his legs over the edge of the mattress, feet meeting the cold floor.
The air smells of cologne and sweat. He stretches, listening to the hum of the city outside. His fingers ghost over his skin, over the places where hands had been, and he wonders if Hal would have looked at him differently if he knew.
Hal.
His chest tightens. He pushes the thought away.
There is work to do. There are more nights to survive.
Bok lights another cigarette. Inhales. Holds it. Lets the smoke pool in his lungs before exhaling slow, watching it coil toward the ceiling.
There is work to do. There are more nights to survive.
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whumpee screaming into a gag. screaming for help. screaming in pain. screaming to warn their would-be-rescuer that it's a trap
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⎉: @chaotic-orphan @morning-star-whump Let me know if you'd like to be added or subtracted from the taglist!
TW: graphic depictions of physical and psychological torture, child abuse, grooming, sexual violence involving minors, institutional exploitation, non-consensual medical/technological procedures, trauma flashbacks, violence, captivity, dissociation, systemic abuse.
Line dividers by @sister-lucifer!!!!
It’s in the bones. In the soft tissue. In the places they didn’t bandage, because they didn’t care to.
His ribs are packed wrong—wrapped too tight, maybe broken in three places. His knees are locked in crude external splints. The shoulder—left—burns. Swollen. Dislocated. Maybe shattered? It feels like it. His right hand won’t flex.
The chair holds him upright, fixed in place. Mechanical restraints at ankles, wrists, chest. A gentle hum. Cold metal bolted to colder floors. Bok can’t breathe easy. He can only sit in the wreckage of himself, eyes half-lidded, mouth dry and sticky.
He shifts. Just once.
The pain flares, vivid and immediate.
The door opens.
He doesn’t lift his head. He can hear the steps: unhurried, expensive. A rustle of real fabric, not synthetic. Cotton. Maybe silk.
“You know,” the voice says lightly, “you’ve got a remarkable pain threshold.”
Bok does look, then. Just a little. His neck protests, loud.
The man who enters is not dressed like a soldier. Civilian clothes: deep blue shirt, sleeves rolled up, collar loose; dark slacks. Wavy red hair pulled back loosely, some of it still curling at the sides. A gold necklace glints at his chest. Black gloves sheath his hands, and at his hip, a sleek holstered gun rests.
Pretty. Bok hates that it’s the first thing he notices. Pretty, in that careless, born-with-it way. Sharp nose, clean lines, dry eyes.
Coffee. He’s holding coffee.
Bok stares.
The man sets it down on the table beside him and gestures with an elegant little flourish, like they’re starting a chess match.
“Broke a man’s tibia with your elbow, apparently. While your own leg was already broken. I don’t know if I’m impressed or nervous.”
Bok can’t tell if he’s being mocking or not.
The man walks closer, retrieving the neural tap cable.
“You were still kicking. Still biting. Ribs broken, hand crushed, and you still managed to stab someone. So forgive me—” he glances at the restraints, “—for being a little cautious.”
He crouches. Close now. Bok can smell the coffee.
“I’m Ricky,” he says, tone clipped, unbothered. “You and I are going to get very close.”
Ricky picks up the bit next, turning it between his fingers—black polymer, soft—and holds it up like a peace offering.
“Bite down.”
Bok doesn’t move.
Ricky rocks forward onto his toes, his face barely beneath Bok’s eye level, but Bok gazes coolly back down at him nonetheless.
“It’s not for me,” Ricky snorts. “It’s for your tongue. Once I go in, it’s going to get ugly.”
He slips it into Bok’s mouth with steady fingers. Bok bites down hard.
Ricky jerks his hand back with a hiss. “Shit,” he mutters, shaking out his hand. “Yeah. Good man.”
He finally rises, shakes out his fingers one last time, then turns and strides to the console.
The rig hums to life. The tap slides into position, and Ricky’s fingers fly over the controls, quietly humming to himself.
“Not personal,” he adds—and hits one last switch.
¶¶¶¶
Whatever it is slams into Bok’s skull like a hammer.
He jerks in the chair. Screams against the bit. His back arches. The restraints groan. Every nerve lights up like a live wire.
On-screen, the first images begin to flash.
¶¶¶¶
Age 13. Training Facility: Unit 17
A dorm. Sterile. White. He’s naked from the waist down.
A clipboard passes between two adults. One nods. The other gestures.
The handler steps forward. Grabs his jaw. Lifts it. Examines him like a horse.
“He's grown,” they note. “Ready for evaluation.”
He tries to speak. Voice cracks. They slap him. Open hand.
He’s twelve. Maybe thirteen.
The handler grips his shoulder. Turns him. Presents him.
“You’ll be perfect,” they murmur, adjusting his collar. “Lower your eyes.”
Bok watches from the chair, shaking.
NO. No no nonono stop—stop this—no more, not now—
But it only digs in further.
¶¶¶¶
Age 14. Night Session: Red Room
A velvet bed. Cameras in every corner. A glass wall.
Three men sit behind it. Watching. Grading.
Bok is told to strip. He does.
Hands guide him. Lotioned palms. Voice at his ear.
“Do it sweet this time. Smile like you mean it.”
Sharp cologne. Bok kneels.
His eyes are dead. Inside, he’s somewhere else.
Behind the glass, someone nods. A ‘pass’.
Bok clenches his fists in the chair. Restraints grind against metal.
His whole body is taut. Teeth digging into the bit.
Ricky shifts. He clears his throat. Tries to skip ahead.
Bok slams a mental wall in place.
The machine screeches. Screen fuzzes. Glitches.
But it finds another path.
¶¶¶¶
Age 15. First Kill
A hotel room. Expensive. Marble tub.
A client lies back, champagne in one hand. His pupils are slow.
Bok is dressed in silk. Lipstick.
He laughs. Touches the man’s shoulder. Drops something into the drink.
“Bottoms up.”
The man drinks.
Thirty seconds. His lips go slack. Bok leans in. Whispers something that isn’t picked up. Then drives the needle into his neck.
The body spasms.
Bok pins him with a knee. Watches the light fade.
Then calmly strips the bed. Wipes the prints. Changes clothes. Twirls the keys, pockets them, gone.
The whole act—flawless.
On screen, it replays twice.
Ricky exhales.
“Why did they pivot you to assassination?”
Bok curls his lip. “Maybe I got bored.”
¶¶¶¶
Age 16. Assault
A handler. Drunk. Furious. Slams Bok into the wall.
“You want to make me look bad?”
He’s been failing evaluations. Slipping.
Too much resistance.
The man forces him down. Belt off. No camera this time.
It’s fast. Violent. Bok doesn’t scream.
Afterwards, he lies there. Eyes open. Something gone.
¶¶¶¶
Bok thrashes in the chair. Screaming now. Wordless. Gut-deep.
The restraints dig into broken skin.
On screen, the memory degrades. Fragments. Blurs.
Then another—
¶¶¶¶
Age 17. Redress
A locker room. Same handler.
Bok follows, humming.
Injector in hand. Sharp. Fast.
Stab to the neck. Hold it. Hold it—until the body stops moving.
The blood freckles Bok’s cheek.
He laughs—soft, breathless.
¶¶¶¶
Back in the chair, Bok shoves with every ounce of mental force left.
The screen hisses. Static. Feedback stutters.
Bok’s pushing back against the onslaught. Slamming doors in its face.
Ricky types frantically. Tries to reroute.
Fails.
Tries again.
Fails.
Overload.
Sync disruption.
Neural resistance spike: critical.
“Stop fighting,” Ricky snaps. “Stop it—”
Bok glares at him. His lips are bleeding dark.
He spits the bit to the floor with a slick clack.
“You get off on that, Ricky?” he sneers, voice tight, eyes wet, betraying him. “You enjoy it?”
The screen explodes into white noise. Hard cut.
Bok crumples. Not quite unconscious. His head pounds.
Ricky stares at the console. Then at Bok.
His voice is thin.
“You little bastard.”
Ricky crosses the room. Pages someone on the intercom.
“We’ve got a failure,” he says. “Tap’s down. No data retrieved. He—overloaded it. I don’t know how.”
A beat.
“No, don’t send a tech. He fried it.”
He turns his back, pinching the bridge of his nose. Silence.
He clicks off.
Ricky stands by the door, one hand resting on the frame, his gaze tracing the tense lines of Bok’s body as his chest heaves with ragged breaths.
“You know,” Ricky’s voice is hollow, the words hanging in the space between them, “I was hoping you’d make this easy.”
“Go… fuck yourself,” Bok wheezes out.
The door hisses shut behind Ricky, sharp and final.
The lights dim.
And Bok lets his head fall back, eyes shuttering.
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The origin of "chef" as an English word to mean "one who cooks" comes from the French term chef de cuisine, a title still used in restaurants to this day to denote a cook in a managerial role. What makes this an interesting bit of etymology is that while in English, "chef" is only ever used in the context of cooking and restaurants, in French chef just means "chief", "head" or "leader" and there are many common titles in French that include this word. A Head of State is the Chef d'Etat, a musical conductor is the chef d'orchestre, a business owner is the chef d'entreprise, and so on and so forth. So with this in mind, one could make the argument that as a gender neutral term denoting authority, "chef" could potentially have utility in BDSM as a
do you have any icks in whump?
I haven't really thought about this before now, so bear with me!
I would say I'm not really squeamish about anything specific, but I did have an experience like. Mid-last-year??? That would suggest otherwise HAHAHAHA
TW: mentions of child abuse.
Whether you've ever heard of Ancient Chinese foot-binding or not, I would suggest proceeding with *extreme* caution if you feel so inclined to research. It was done to young girls, and gosh did I think I could handle one x-ray imaging of this poor victim.
dear nonny, nuh-uh. Not the case at all. While I was staring at this very real x-ray with a sort of horrific fascination, or enthrallment, or whatever you want to call it---it was a mix between the two---anyways; I saw a sort of black fuzziness start to crowd my screen, like crawling, miniscule ants, and I frowned because what the helly man 😔
And I kind of tried to shake my screen, flip my laptop lid back and shut, and I blearily realised it was my very OWN vision infected with this onslaught of static. And I felt so very very tired and sick and nauseous and
Cut.
I'm on my back now. I'm blinking up through a haze, and I vaguely feel my hair scratching my neck and back, and I see the faint, dark outline of something looming above me, and I think, huh. That looks like the desk in my house! :D:D
But my vision sharpens rapidly, and oh, it is my desk
But what's it doing so high up above me-? And I realise my chair is right there, and my arse isn't on it anymore :D, and I'm lying flat on my back and I push myself up with clammy hands and sweaty hair and the room is spinning and dipping, and my stomach does a twisted sort of turn
And I push myself up further onto shaky legs, gripping onto my table with a white-knuckled grip, and I force myself to the kitchen, and pick a mug, any mug [from later investigations I belatedly realised it was the one I usually reserved for rice, no wonder the water tasted like fucking flowers] and I chugged a full shot.
The nausea is still there but it's lessened severely in the bare minutes I stumbled to and from the kitchen, and I walk to my bedroom and stare in the mirror, and Jesus Fuck have I never seen my face so drained before.
I didn't do much afterwards except lay my head on my knees and try to get the beating of my *loser ass* dysfunctional heart back under control. That was my first and only experience of fainting. No I did not enjoy it. But did it serve to enhance the accuracy of its depictions in my writing? Hell YEAH
Anyway, moral of the story is. Please be cautious when consuming media. Do NOT overestimate yourself for your own sake please I beg of you. I could've suffered a concussion if there was anything to hit my empty head on, passing out is not fun!!!!
But it's all the more reason to whump your blorbos with it amirite 😈
Sorry for derailing so disastrously. I can say with full confidence, my whump-related ick? Child abuse, child whump. Not to say I wouldn't interact---I WILL read, and have written such works on the regular. Frequent compulsory breaks tend to help me a lot! But it's not something I tend to react positively to.
The fact I was viewing imagery of something that happened to real children in real life was just... more upsetting than usual?
If my ocs were real and I walked into a room with all of them I'd immediately get jumped
Kinda fucked up that we all coo and sympathize with "former gifted kids" but never talk about the students who had to stay late after school or over the summer for remedial classes/clubs, who struggled to get above a C, who were given up on or punished. Who tried so hard to understand or just couldn't. Who were grouped with the "stupid kids" (a classmate called us that in remedial math btw)
Autistic kids and adhders who can't relate to their gifted peers and are constantly alienated by them. Kids who struggled in school due to dealing with a chronic or mental illness or physical/learning/developmental disability. Those of us who have had to drop out of highschool or college. Kids who worked so hard and wanted to be seen as smart, but never were. Who watched as their peers seem to fly by them in school, while they were left behind. Who were bullied and put down by those in the gifted and honors classes. Whose confidence was absolutely destroyed by education.
I love you all and I'm so sorry the school system failed you. I'm sorry you weren't properly accommodated and given the education you deserved. I'm sorry people put you down for something that they never had to fight for.
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⎉: @chaotic-orphan @morning-star-whump Let me know if you'd like to be added or subtracted from the taglist!
TW: police brutality, physical assault, vomiting, surveillance, systemic abuse.
Line dividers by @sister-lucifer!!!!
The door buzzes.
Hal jabs the button again, hard.
Nothing.
Then: “It’s four-fucking-thirty in the morning, Hal.”
Her voice crackles through the speaker like it’s pissed, too. He presses his forehead to the doorframe, eyes closed.
“Hey, Piggy.”
The lock clicks.
Jules stands in the doorway in a billowing shirt and one sock, hair a frizzy halo of sleep and pure, undiluted fury.
“You look like shit,” she settles venomously, stepping aside.
The flat smells like chamomile and burnt oil. There’s a threadbare orange blanket on the couch and a spider plant hanging in the corner, definitely named something like Milo. Hal sinks onto the couch, spine curling in on itself. Jules crosses her arms.
“Is this about Bok?”
Hal’s head jerks up.
She sighs, already turning for the kitchen. “I’m putting the kettle on. Start talking before it boils.”
¶¶¶¶
The kettle clicks. Hal’s in the kitchen, shoulders hunched as he pours water into sleek mugs. His hands shake.
Jules watches him from the table, unreadable.
“He’s gone,” Hal says, voice hoarse.
“I figured,” Jules replies. “The silence wasn’t exactly reassuring.”
Hal lets out a slow, ragged breath. “I didn’t know where else to go.”
“Lucky me,” she mutters.
Then: Knock knock knock.
Jules’ eyes snap to the door.
“Please tell me that’s not—”
“Open up, Jules,” comes Ricky’s voice, carrying that signature lilt of his.
She doesn’t move. Hal, already pale, goes corpse white.
Jules opens the door just enough to glare through. “You’ve got a lot of nerve.”
Ricky smiles coolly. “Just here to chat.”
“Go chat with a blender.”
She tries to shut the door. He plants a booted foot in the frame.
“We’ve got Joyeux,” he says. “You know what that means.”
Her jaw tightens. She steps aside, reluctantly. “You’ve got five minutes.”
Ricky walks in like it’s his flat, brushing droplets off his shoulders. Hal retreats to the sink, one hand braced on the counter like it’s the only thing holding him up.
Ricky’s eyes flick to Hal. “I assume you know Hal was keeping company with a nomadroid.”
He halts mid-pace, catching Jules’s look.
A beat.
“I’m assuming you didn’t know it was unregistered. Fully illegal. Possibly unstable.”
Hal makes a noise—half breath, half choke. Jules glares at him too.
“I know it’s complicated,” Ricky hums. “But Joyeux was dangerous. The raid was clean. We have footage. And Hawkins’ prints.”
“Shut up,” Jules says.
Ricky lifts an eyebrow.
She turns to Hal, voice quieter now. “You didn’t tell me everything.”
Hal can’t look at her.
“Did you love him?”
The air goes still.
Hal’s grip on the counter slips. He doubles over and vomits into the sink, body wracked and shaking.
Jules doesn’t flinch. Just grabs a dish towel, runs it under cold water, and presses it into his hands.
Ricky looks away; pulls out his datapad.
“We’ll be in touch,” he says lightly, and walks out.
The door shuts behind him.
Jules exhales—long, slow, furious.
Hal leans against the wall, towel clutched in his hands, face pale.
“You loved him,” she says again, not asking this time.
And Hal, eyes puffy, just nods.
¶¶¶¶
Earlier.
They blow the door in.
No warning, no pause. Just the shockwave and splinters, smoke curling into the hallway like fingers.
Bok’s head snaps up from the mattress on the floor. He doesn’t move fast enough.
They’re already inside.
Three soldiers. Black gear, black masks, silent. Their eyes glint faintly like glass behind the visors. A flick of motion, and the room is theirs.
Bok reaches for the blade on the counter. Cheap boxcutter. Pathetic. He grabs it anyway.
The first soldier closes in.
Bok swings.
Steel kisses flesh—a shallow cut across a gloved arm. The soldier barely reacts.
Bok bolts.
One grabs his shirt, misses. Another’s faster. A baton slams into Bok’s spine. His knees buckle. He drops, scrambles, still crawling, still fighting—
Another hit—his side caves in around it. Something cracks. He sucks in air.
He twists, knife in hand, jabs upward.
The blade rakes a thigh—deep. The man swears. Stumbles. Bok surges forward.
It doesn’t matter.
A boot catches his shoulder. Slams him sideways into the wall. His skull hits plaster, leaves a dent. He falls.
They’re on him.
He thrashes—kicks, claws, spits black.
Someone grabs his hair, yanks him up. His neck strains. He stabs back—nothing.
A baton hammers down.
His hand breaks. Knife drops. Gone.
They don’t stop.
Two hold him down. One crushes a knee with the baton—crack. Bok jerks, bites his own tongue. Ink floods his mouth.
“Still fighting?” one mutters. Disgusted.
Second knee.
Crack.
He goes limp, twitching. Ribs heave. Eyes wide. Still conscious.
One more hit to the jaw. His head snaps sideways. Something dislocates.
They drag him.
By the arms. His head falls back, eyes dull, breath fogging through slightly parted lips. His bare heels scrape against the floor. Sweat clings his hair to his forehead, dripping down his face. The rest of his body hangs limp, trailing behind them like a trainwreck.
“Secure,” one says.
Another checks a watch. “Thirty seconds over. Let’s move.”
They vanish into the hallway.
The door hangs from one hinge. The room still smells like smoke and metal and blood.
And they’re gone.
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Haneul, 25. I write about people who should probably lie down and never get back up. They don't! Things get worse. Sometimes they fall in love anyway.
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