And If I Said

And if I said

And If I Said
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More Posts from Alligatorintherain and Others

2 years ago
Reunion
Reunion

Reunion

2 years ago
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[ID: fanart of Finn (played by John Boyega) from the Star Wars Sequels. He is a Black man wearing a coat and holding a blue light-saber outside that makes the whole piece look tinted blue. He is holding the light-saber with two hands out to the side of him while looking forward, the light of the light-saber makes the snow around it glow. End of ID]

testing out new brushes

2 years ago

Pop culture reduces It's a Wonderful Life to that last half hour, and thinks the whole thing is about this guy traveling to an alternate universe where he doesn't exist and a little girl saying, "Every time a bell rings, an angel gets its wings." A hokey, sugary fantasy. A light and fluffy story fit for Hallmark movies.

But this reading completely glosses over the fact that George Bailey is actively suicidal. He's not just standing there moping about, "My friends don't like me," like some characters do in shows that try to adapt this conceit to other settings. George's life has been destroyed. He's bankrupt and facing prison. The lifetime of struggle we've been watching for the last two hours has accomplished nothing but this crushing defeat, and he honestly believes that the best thing he can do is kill himself because he's worth more dead than alive. He would have thrown himself from a bridge had an actual angel from heaven not intervened at the last possible moment.

That's dark. The banker villain that pop culture reduces to a cartoon purposely drove a man to the brink of suicide, which only a miracle pulled him back from. And then George Bailey goes even deeper into despair. He not only believes that his future's not worth living, but that his past wasn't worth living. He thinks that every suffering he endured, every piece of good that he tried to do was not only pointless, but actively harmful, and he and the world would be better off if he had never existed at all.

This is the context that leads to the famed alternate universe of a million pastiches, and it's absolutely vital to understanding the world that George finds. It's there to specifically show him that his despondent views about his effect on the universe are wrong. His bum ear kept him from serving his country in the war--but the act that gave him that injury was what allowed his brother to grow up to become a war hero. His fight against Potter's domination of the town felt like useless tiny battles in a war that could never be won--but it turns out that even the act of fighting was enough to save the town from falling into hopeless slavery. He thought that if it weren't for him, his wife would have married Sam Wainwright and had a life of ease and luxury as a millionaire's wife, instead of suffering a painful life of penny-pinching with him. Finding out that she'd have been a spinster isn't, "Ha ha, she'd have been pathetic without you." It's showing him that she never loved Wainwright enough to marry him, and that George's existence didn't stop her from having a happier life, but saved her from having a sadder one. Everywhere he turns, he finds out that his existence wasn't a mistake, that his struggles and sufferings did accomplish something, that his painful existence wasn't a tragedy but a gift to the people around him.

Only when he realizes this does he get to come back home in wild joy over the gift of his existence. The scenes of hope and joy and love only exist because of the two hours of struggle and despair that came before. Even Zuzu's saccharine line about bells and angel wings exists, not as a sugary proverb, but as a climax to Clarence's story--showing that even George's despair had good effect, and that his newfound thankfulness for life causes not only earthly, but heavenly joy.

If this movie has light and hope, it's not because it exists in some fantasy world where everything is sunshine and rainbows, but because it fights tooth and nail to scrape every bit of hope it can from our all too dark and painful world. The light here exists, not because it ignores the dark, but because the dark makes light more precious and meaningful. The light exists in defiance of the dark, the hope in defiance of despair, and there is nothing saccharine about that. It's just about as realistic as it gets.


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3 years ago

Duuuuuuude

Danny Phantom Theme Song X GHOSTBUSTERS

👻 It’s criminal how good these songs sound together 👻

[Cover art under the cut!] 

Keep reading


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3 months ago

I cannot believe there's absolutely no way to watch free shows and movies anymore, there are too many paid streaming platforms and pirating websites have viruses and ads preventing you from watching it uninterrupted((.)) id rather follow the rules and purchase media moving forward because it is too inconvenient. Seriously, free and no ads or viruses with 1080p streaming is DEAD.

2 years ago
It’s a screenshot redraw of the original trio plus Chewie from Star Wars. Chewbacca is closest to the viewer though his face is out of view and only his ammunition strap/part of his body can be seen. Han Solo is peaking out from behind him. Han has brown skin and dark brown hair. He is wearing a yellow-tinged shirt with a blue vest over it and his ears are pierced. The shirt is low enough to show part of his chest where there is a scar peaking out from under his tit. Leia stands next to him, significantly shorter but still visible. She is wearing a white headscarf that is styled to look like two buns and a white dress that has a large fold over the shoulders. She has brown skin and a few freckles. Lastly is Luke, who is holding a blaster in his left hand. He also has brown skin and far more freckles than Leia, though he also has acne scars peppering his face. He is wearing a white tunic. The group is placed against a nondescript blue-toned background. Soft lighting comes from the left while harsh lighting comes from the right, illuminating a couple strands of hair and fur.
It’s a digital painting of Padmé Amidala and Aayla Secura based on La Belle Dame Sans Merci by Francis Bernard Dicksee. Padmé is depicted as an East Asian woman with brown skin and black hair. She is mounted on a fathier with her right hand holding the reigns while her left is across her torso. She wears her blue nightgown and is looking down at Aayla with a soft smile. Aayla stands at the fathier’s side with her right hand holding onto a rope at its flank while her left goes off screen. She wears redesigned robes, which are brown in color and cover most of her body save her right arm, and she is looking up at Padmé. Her gaze is full of adoration; she is simply infatuated.
it's a two page comic of Kix and Finn from Star Wars done in minimal colors of mostly blue and pink. In the first page, the beginning panels are focused on various pieces of armor, Kix's hands, and then Finn's face. Back and forth dialogue between them reads: Kix: "How's that?" Finn: "This is what you guys wore?" Kix: "Mhm. Standard Phase II Gar-issued armor. How's it fit?" Finn: "A lot better than whatever the First Order put us in. Feels like it might actually protect me from a hit or two. It's nice." Kix: "Good. It's yours now." Finn: "What?" The next panel focuses on Kix, who is older with long, greying hair. He wears a pair of rectangular glasses and a blue jacket. "What?" Finn asks and Kix repeats himself saying "It's yours now, kid." Finn: "Are you serious?" Kix: "Wouldn't be saying that if I wasn't, now would I?" Finn continues to argue, "But it's the last you have of your brothers. I can't take this."

The second page first focuses on flashbacks of Kix with his armor, showered in bright pink light as opposed to blue. Saleucami, Umbara, and then Anaxes. The scene changes back to the present where Finn is still speaking as Kix picks up a piece of his armor and a mug of caf cools off in the background. Finn: "I don't understand. Kix?" As Kix looks down at one of his shoulder bells, he replies, "I've thought about it long and hard, but the truth is, I don't have much use for this armor anymore. My fighting days are over and all it's going to do is sit in a trunk if I keep holding onto the past. It's time for me to let go and pass it on to someone else." There's a sequence of panels of Jesse, Hardcase, Fives, Rex, Tup, and then, finally, Finn. It's then that Kix says "You're my brother too, Finn." He then backtracks, going on to say "Now of course, it's only if you want it, but—" but Finn cuts him off by saying "Thank you", his arms wrapped around a surprised Kix in a hug. "Thank you, Kix." After getting over his initial shock, Kix smiles softly and hugs him back. "Of course, vod'ika." He replies.
It's a drawing of Finn as a Jedi. He wears a shiny orange jacket with "Finn Dameron" written on the back in aurebesh and he holds an ignited blue lightsaber while his free hand hangs at his side. His back is facing the viewer though his head is turned to the side and he is looking back. He also has a pistol holstered at his thigh and a gold earring.
It’s a page-long comic focused on Rex from the Clone Wars. Going from top to bottom, the first row is divided into four panels. The first panel shows two hands holding onto a black hair clipper from a side view. The person’s skin is brown, and it’s dropped against a dark blue background. The second is a closeup of Rex’s face, where his roots are showing underneath blond dye. He is looking down, with only part of his face visible, the rest cut off by the borders of the panel. The third shows his reflection in a mirror over a sink, his eyes cut off by the top border of the panel. A pink scar is visible going over his chin and he has a five o’clock shadow growing in. The fourth, and final panel of the row shows Rex bringing the clipper to his hair to shave it all off. His face is not visible, only the top of his head and part of his hand. “One day” is written on the top of this panel. The next row features 3 long panels—one on either side and then in the middle—with four smaller panels in between them. Hair is falling in the first long panel, and at the bottom, text reading “I’ll stop” is printed. The four short panels feature: Cody, Fives Hardcase, and Tup. All of them are smiling or laughing; they seem happy. The next panel is a long panel and it is a closeup of Rex shaving his hair from a side view. His face is not visible, but his ear, the clipper, some of his shirt, and some of his hair are. Next to it are four more panels featuring: Kix, Jesse, Dogma, and Denal. Kix, Jesse, and Denal are all smiling while Dogma looks stoic as ever. Next to it is the last long panel with text reading “seeing your face” printed at the top. The small panels are backdropped against yellow while the long ones have dark blue backgrounds.
Some Old Star Wars Art For May The Fourth
It's a drawing of Barriss and Fox on Coruscant sitting on a docking ramp. Barriss looks upset and Fox wears a tired expression as he talks to her. Fox is drawn with black hair streaked with gray, heavy eyeballs, and a scar across his lips. Barriss is wearing simple brown robes and a headscarf. The scene is illuminated by various street signs and a bright light hanging from the side of a roof.
It's a drawing of Rex and Echo with their foreheads and noses pressed together in a Hongi after Echo has been rescued. Echo is drawn with brown skin which has lost some of its color thanks to his time in stasis and he sports burn scars as well as leftover frost.
It's a drawing spread of some of the Bad Batch where they are actually drawn to resemble Temeura Morrison. First is Crosshair, who is albino and has freckles, holding up Omega who has brown skin and piebaldism with lighter patches of skin across her face and hands. Omega holds his jaw while they press their noses and foreheads together in a hongi. The second drawing is of Tech and Echo, the former tinkering on something while the latter is asleep against him. Tech is drawn with brown skin, curly red/orange hair, and goggles. Echo is also drawn with brown skin though his features are slightly sunken as the result of malnourishment. He wears a metal headpiece and arc armor which has been painted grey and black and has a red handprint on the right side of the chest plate. He is also depicted with burn scars and a lighter scar across his face.
It’s a drawing of Ahsoka Tano and Anakin Skywalker in a Venator’s hangar. The background is a very simple grey wall with lights to the right of the frame. Anakin and Ahsoka are hugging—Anakin is leaning over her with his arms wrapped around her back, and Ahsoka has a visible hand on his. Anakin’s face is only partially visible, though it’s clear that his skin is brown and his locs are dark brown. He wears his usual Jedi robes. Ahsoka is wearing her outfit from the Siege of Mandalore and her face is visible, showing a smile on her lips.

some old star wars art for may the fourth

[id in alt]

10 months ago
[Start ID: A Digital Drawing Of A Bouquet Of Flowers On A Solid Light Green Background. The Flowers Are

[Start ID: A digital drawing of a bouquet of flowers on a solid light green background. The flowers are in the colours of the aromantic pride flag, with some extra green leaves as decoration. Above the bouquet it says "LET WONDER RESTORE YOU" in black text. At the bottom of the bouquet is OPs signature that says "CJD 2024". End ID]

Fern, for magic

Eucalyptus, for protection

White camellia, for steadfastness

Silver sage, for esteem

Black tulip, for power

AroAce Version

Ace Version


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3 years ago
Nothing But Respect For MY Spider Man!!!!
Nothing But Respect For MY Spider Man!!!!
Nothing But Respect For MY Spider Man!!!!
Nothing But Respect For MY Spider Man!!!!

nothing but respect for MY spider man!!!!


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2 years ago
It’s a page-long comic focused on Rex from the Clone Wars. Going from top to bottom, the first row is divided into four panels. The first panel shows two hands holding onto a black hair clipper from a side view. The person’s skin is brown, and it’s dropped against a dark blue background. The second is a closeup of Rex’s face, where his roots are showing underneath blond dye. He is looking down, with only part of his face visible, the rest cut off by the borders of the panel. The third shows his reflection in a mirror over a sink, his eyes cut off by the top border of the panel. A pink scar is visible going over his chin and he has a five o’clock shadow growing in. The fourth, and final panel of the row shows Rex bringing the clipper to his hair to shave it all off. His face is not visible, only the top of his head and part of his hand. “One day” is written on the top of this panel.   The next row features 3 long panels—one on either side and then in the middle—with four smaller panels in between them. Hair is falling in the first long panel, and at the bottom, text reading “I’ll stop” is printed. The four short panels feature: Cody, Fives Hardcase, and Tup. All of them are smiling or laughing; they seem happy. The next panel is a long panel and it is a closeup of Rex shaving his hair from a side view. His face is not visible, but his ear, the clipper, some of his shirt, and some of his hair are. Next to it are four more panels featuring: Kix, Jesse, Dogma, and Denal. Kix, Jesse, and Denal are all smiling while Dogma looks stoic as ever. Next to it is the last long panel with text reading “seeing your face” printed at the top. The small panels are backdropped against yellow while the long ones have dark blue backgrounds.   Underneath this, Rex is standing with his hands on the sink and his gaze fixed on a mirror before him. Blond hair covers the floor around his feet. In the mirror, his reflection stares back at him with a faint outline of Jaig eyes above his head. Next to him, there is text that reads “in mine.”   Full transcription of text: “One day I’ll stop seeing your face in mine.”
It’s a page long comic of various characters from Star Wars. The first row of panels is a singular, long panel with the tip of a blaster (DC-15A) sideways in the middle. It’s firing a shot, which is blue, and at the bottom of the panel, there is text that reads “what Jedi”. The background is pink.   The row underneath shows seven small panels of Palpatine, all in black and white. It is styled like Hawkeye (2012) Page 3 of Issue 2 with each panel being a letter that Palpatine is saying. The letters read “Execute”, and his expression changes little throughput aside from his mouth. Part of his face is covered by his cloak.   The row beneath that is split into three panels with pink backgrounds (same pink as the first row). The first panel focuses on Jaro Tapal who is leaning over the ground. His head is turned to look at his Padawan, Cal, though only part of Cal’s robes are visible to the viewer. Jaro is a Lasat male with a beard and a braid. He is wearing a standard Jedi Chesplate, and a blaster hole is visible on the left side of his chest. Text in the top left corner reads “gave”. The next panel is of F’s Master. He is a brown-skinned man with mono lidded eyes and a wide nose. He wears white and dull blue robes with a brown cloak on top. He has a beard, and his hair is black. He is holding his lightsaber in front of him—the blade is a brilliant yellow, and his expression is determined. Text in the top left corner of the panel reads “their”. The last panel is of Depa Billaba, and it is a redraw from the Last Padawan comics. She has brown skin and black hair which is braided into loops on either side of her head. Her green lightsaber is activated, illuminating her brown cloak, and she has her lips pulled back in a grimace. On the top left of the panel, text reads “Life”.   The next row is similar to the second. Palpatine says “Order 66”.   Finally, the last row is split into three panels, all with blue backgrounds though the center panel has more detail. The first panel is Cal and Merrin hugging. Cal has black hair and brown skin, though his face is not visible to the viewer. Merrin is holding him tight with her arms wrapped around his torso. She seems relieved. Text in the top left corner reads “so that you”. The next panel is a redraw from the Village Bride. F kneels on the ground with her yellow lightsaber ignited in front of her. Her black hair is blowing to the side, partially covering her face, and her cape is fluttering behind her. She is backdropped against a blue sky with purple-tinged clouds, yellow mountains, and green trees. Text in the bottom left corner reads “might”. The last panel is of Kanan and Ezra. Ezra is holding onto his lightsaber (his first one) which is ignited, and the blade is green. He is looking at the blade in awe, and the green color illuminates him. Kanan stands behind him with a hand on his right shoulder. Kanan is smiling. Text in the top left corner reads “live”.   Full quote: “What Jedi gave their life so that you might live?”
It’s a drawing of Ahsoka Tano holding Luke in her left arm and Leia in her right. She is wearing her outfit from the siege of Mandalore which consists of a blue, sleeveless top with silver lines designed like a traditional Mandalorian chesplate. She is also wearing a metal belt. Luke and Leia are both depicted with brown skin and dark brown hair. They are newborns, swaddled in white cloth, and only their heads and legs are visible from the folds. Ahsoka’s head is tipped slightly to her right—she wears a sorrowful expression.
It’s a drawing of Anakin and Obi Wan. Anakin is depicted as a Black man brown skin and curly brown hair whereas Obi Wan is East Asian with fairer skin, monolids, and black hair. Obi Wan is clutching onto Anakin’s arms, and Anakin is doing the same to Obi Wan. They are both dressed in their regular robes and kneeling, facing one another. Flames curl out from Anakin’s back, burning his robes and obscuring part of his figure from the viewer. The harsh lighting of the fire illuminates Obi Wan’s face and chest, though the rest of him is cast in shadow. He is untouched by the fire, but there are tears running down his face anyway. Anakin is crying as well with his mouth ajar, as if he were calling out for help from his former Master.
It’s a drawing of Ahsoka Tano fighting Darth Vader on Malachor. Ahsoka is wearing a redesigned outfit that takes from the people who had an influence on her life. First is a one-sleeved dark brown shirt that is a similar color to Obi Wan’s base robes and styled similarly to Aayla Secura’s outfit. Over this, she wears a form-fitting top half to a tunic and a belt similar to Anakin’s around her waist. On her neck, there are beads similar to the necklace that the artist’s redesigned Aayla wears. A talon cover, similar to Plo Koon’s, is visible on Ahsoka’s left hand. Other than that, she wears dark brown pants and black boots. Both her lightsabers are ignited and her feet are against Vader’s chest, pushing him down while one of her lightsabers slashes across his face. Her mouth is open in an anguished expression and there are tears on her face.
It’s a drawing with two comic panels on top. The first panel shows a drawing of Anakin Skywalker. He’s a Black man with brown skin, freckles, a scar over his right eyebrow, and dark brown hair. He is looking at the viewer with a smile on his face. The panel next to him is of his son, Luke, who similarly has brown skin and freckles, though his curls are nearing black in color and sun bleached. Above the panels reads “you look” and below, written text says “so much like him.” Beneath the panels and text is a drawing of Ahsoka Tano and Luke. Ahsoka is grown and much taller than Luke, as she is leaning over him. She is holding his face in her hands with a sorrowful expression. She is wearing white robes and a brown headpiece. Luke is wearing his dark grey robes and a black cloak over it. One of his hands is reaching up to touch Ahsoka’s.

closing 2021 off with a collection of some of the emotionally devastating pieces I’ve done

[ID in Alt] | Click for better quality <3

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alligatorintherain - alligatorintherain
alligatorintherain

Please call me Rain. 19yo he/her I'm both a girl and a boy. I don't know what exactly that means but 👍. Talk with me if you like! I'm open to all conversations! If I'm not in the mood to talk at the moment I'll just tell you bluntly if I'm not in the mood so please don't be offended if I do so. I'll get back to you when I am so we can have a conversation! :)

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