One Thing I Love About Miles Edgeworth Is How Realistic And Practical He Is, More Than He Is Moralistic.

One thing I love about Miles Edgeworth is how realistic and practical he is, more than he is moralistic. As much as Miles cares about justice and doing what he thinks is right, he’s not fueled by belief the same way, for example, Phoenix is. And this is one of the things I feel like gets ignored or brushed aside when Miles's character is softened too much.

Both pre and post redemption, Miles puts a lot of emphasis on reality and the bottom line of what people can do in a situation.

In Turnabout Goodbyes, the first thing Edgeworth says in response to Phoenix asking him why he became a prosecutor instead of a defense attorney is: "… I couldn't let myself deny reality like you."

He also doesn't truly believe that every defendant he prosecutes is guilty, contrary to popular belief. In Turnabout Sisters, he says this: ""Innocent"…? How can we know that? The guilty will always lie, to avoid being found out. There's no way to tell who is guilty and who is innocent! All that I can hope to do is get every defendant declared "guilty"! So I make that my policy." Miles is disillusioned with finding the truth and trusting people that he settles for doing all he can hope to do.

And when you think about it, his motivation of finding the truth is an extension of his realism. After all, the truth is quite literally the most objective, realistic thing ever. In 1-3, after helping Phoenix convict Dee Vasquez, he says: "Will Powers was innocent. That he should be found so is only natural… not a miracle." The truth as a motivation is probably a grounding force for him.

When Miles comes back in Farewell My Turnabout, he calls out Phoenix's flawed motivations for becoming a defense attorney by offering realism: "We aren't some sort of heroes. We're only human, you and I. You want to "save someone"? That's something easier said than done, wouldn't you say? You are a defense lawyer. You can't run away from that. You can only fight. That's all you can do." Miles isn't saying Phoenix can't "save someone". Miles is saying that Phoenix shouldn't be so focused on saving someone that he forgets that his job as a defense attorney is only to fight for them.

Side note, I love the way Miles comforts people, he isn't exactly "nice" but he's incredibly kind. His blunt honesty digs at the heart of the matter, and he gives them an extra push because he respects them enough.

And then there's, possibly, my favorite Miles Edgeworth line: "It doesn't matter how many underhanded tricks a person uses… The truth will always find a way to make itself known. The only thing we can do is to fight with the knowledge we hold and everything we have. Erasing the paradoxes one by one… It's never easy… We claw and scratch for every inch. But we will always eventually reach that one single truth. This I promise you." This directly parallels the line he says in 1-2, and it makes me emotional every time I think about it.

The fact that Miles Edgeworth never lost his unwavering realism, in both quotes he acknowledges how untrustworthy people can be, but gained a new purpose.

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7 months ago

Comparing some quotes from Farewell My Turnabout to AA1, you start to realize what Miles Edgeworth’s redemption arc is really about…

Turnabout Sisters: "Innocent"...? How can we know that? The guilty will always lie, to avoid being found out. There's no way to tell who is guilty and who is innocent! All that I can hope to do is get every defendant declared "guilty"! So I make that my policy. Versus Farewell, My Turnabout: It doesn't matter how many underhanded tricks a person uses... The truth will always find a way to make itself known. The only thing we can do is to fight with the knowledge we hold and everything we have. Erasing the paradoxes one by one... It's never easy... We claw and scratch for every inch. But we will always eventually reach that one single truth. This I promise you.

Rise From the Ashes: But in order to fight crime on my own, I'd need a "weapon." It's scary, but I've known that to be true for quite some time now.  Versus Farewell, My Turnabout: Working together is the definition of teamwork. It's the power to find the truth.

Edgeworth’s redemption isn’t about him gaining +100 morals. He turns his cynicism that used to blind him from seeking the truth into unflinching realism. He goes from being detrimentally independent to understanding the importance of teamwork. 

Miles Edgeworth is just as ruthless and unrelenting, but decides to use it to try to do good. He’s still overly focused on a singular goal, but instead of guilty verdicts, his goal is the truth. He’s still an insensitive prick. He acts condescending to the people he wants to help. He doesn’t fully comprehend how much his actions hurt the people who love him. But he does everything he can to help Phoenix save Maya. And he sees through Phoenix’s and Franziska’s misbeliefs when it comes to practicing law, and does his best to help them find themselves too.


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8 months ago

That’s precisely why Farewell My Turnabout is so so important to their relationship. It’s the case where Miles saves Phoenix <3

I cannot overstate how important Phoenix and Edgeworth are to each other’s lives. There is something so beautiful about Edgeworth’s walls crumbling before the man who picked up his father’s legacy where he couldn’t. There is so much care in the fact that Edgeworth returns to guide Phoenix when duty versus personal circumstances shake the latter’s principles to their core.

They spend their lives reciprocating each other’s acts of kindness, and it is in this eternal dance that they find comfort, trust, and love in one another.


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10 months ago

thanks for the tag!!

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11 months ago

I'm gonna ride the wave here and talk about Rise from the Ashes and why, even though I think it's a good retcon and doesn't involve any contradiction either factual or thematic, I believe it is still undeniably a retcon.

The crux of the matter, I think, is the definition of retcon. Here's what Merriam-Webster has to say about it:

the act, practice, or result of changing an existing fictional narrative by introducing new information in a later work that recontextualizes previously established events, characters, etc.

It has to change the narrative, not the events of the story themselves. It has to recontextualise the events in question. And I'd argue the case does those exact two things by establishing that Miles Edgeworth not only never willfully forged evidence, but was morally against it in the first place, even though the contrary had been implied in the four first cases of the game.

Here's how Miles Edgeworth is introduced in Turnabout Sisters, in the first conversation we have about him with Gumshoe. There are two dialogue options, one where you can say that yes, you do know him, or one where you say that no, you don't.

Here's what Phoenix has to say about Edgeworth if you pick "I know him":

I know him. He's a feared prosecutor. He doesn't feel pain, he doesn't feel remorse. He won't stop until he gets his "guilty" verdict.

And here's what he has to say if you pick "I don't know him:"

(Of course I know him... I was just playing dumb. He's a cold, heartless machine who'll do anything to get a "guilty" verdict! There are rumors of back-alley deals and forged evidence...)

The words "forged evidence" appear only in one of the two options. They're only rumours; there's nothing established. However this is the first discussion of his character; this is the first impression we get of him. The idea we are supposed to get from him is someone ruthless and without scruples, who "hates crime with an abnormal passion."

Later on there is of course the case of the updated autopsy report. The new report is entirely legitimate and treated as such. However it is presented by the narrative as an underhanded trick, with Phoenix exclaiming against it, and further establishes Edgeworth's lack of limits in his prosecuting ethics set up by the conversation with Gumshoe - confirming our bias. We're still talking about narrative intent here, not merely the facts of the story. The updated autopsy report is not an instance of Edgeworth forging evidence, however it showcases his ruthlessness, which by extension serves to corroborate the rumours Phoenix was talking about with Gumshoe - making you believe Edgeworth would indeed tamper with proof without showing him doing so. Edgeworth coaching the witness's testimony and withholding the wiretap has the same effect.

Right before the second trial day, we get to talk with Edgeworth himself, who has come to warn us that even though he knows Phoenix, Phoenix shouldn't expect any mercy from him. Here's what he has to say:

Edgeworth: [...] whatever Mr. White says today, it will be the "absolute truth." No matter how you try to attack his testimony... If I raise an objection, I have it on good faith that the judge will listen to me. Phoenix: (What, does White have the judge in his pocket, too!?) So... you're saying I'm going to be guilty. End of story? Edgeworth: ... I will do anything to get my verdict, Mr. Wright. Anything. Maya: Why... Why!? How can you torment an innocent person like this!? Edgeworth: "Innocent"...? How can we know that? The guilty will always lie, to avoid being found out. There's no way to tell who is guilty and who is innocent! All that I can hope to do is get every defendant declared "guilty"! So I make that my policy.

There is also the climax of the case, where Edgeworth tries to request the trial to be extended one more day:

Edgeworth: Ergo! I would like to request one more day before Phoenix Wright is granted his freedom. I need time to make one more inquiry into this matter. Judge: Hmm...! Phoenix: (Another inquiry...!? This isn't going to be another one of those "updated autopsy reports"! This guy just makes up evidence as he pleases! This is bad...!)

This heightens the stakes and creates tension as Phoenix puts his foot down and requires for the trial to come to an end on that day - and it does thanks to Mia's intervention. Once more Edgeworth forging evidence isn't shown, but is implied in a way that we are meant to take as fact.

So that is the image we have of Edgeworth by the end of case 1-2, our first confrontation with him. Someone ruthless, someone who will do "anything" to get his guilty verdict - even if that involves shady dealings (such as, but not limited to, tampering with evidence). Someone without limits.

Then 1-3 happens, where in the course of the trial Edgeworth realises Will Powers is innocent and helps us corner Dee Vasquez into confessing to being the true killer, therefore throwing his trial and helping us win against him. This is a big deal. This is a cornerstone of the arc of game 1, of Edgeworth's redemption arc. After that we get the infamous "unnecessary feelings" scene, where Edgeworth confirms it: he was shaken by the events of this trial and his first loss in the previous one. This is something new for him.

And afterwards of course is 1-4, where we get to the bottom of Edgeworth's vitriolic hatred for criminals and discover his backstory. We get to meet his mentor von Karma, "twenty times as ruthless as him," and witness him pull all the stops to prevent us winning and making our life really difficult. Interestingly he, too, skirts the line of forging evidence, but that fact pales in comparison to everything he does do: orchestrating a murder and framing Edgeworth for it, destroying the letter that incriminated him, hiding the evidence of DL-6 so that Phoenix cannot have access to anything to solve the case.

(On a side note: von Karma using "faulty evidence" against Gregory Edgeworth is actually an established fact, and I think the way AAI-2 retconned that to introduce Blaise was quite clever, but maybe I'll make a similar post about Manfred after the AAI Collection comes out in September)

So that's Edgeworth's arc, where he is confronted to a world where getting a "guilty verdict" isn't always the morally correct choice to make, and where his worldview is entirely deconstructed to allow him a redemption arc. His return in 2-4 continues that arc with his new motto of the "truth" being the most important thing (implying that hadn't always been at the centre of his considerations).

Now compares this with what he says in 1-5.

Edgeworth: Of course not! I didn't touch the evidence. Yes, I will do anything in my power to win a trial. However... I do have a code, and I follow it faithfully.

This is the first time we hear of Edgeworth having a moral code. This is the first time we hear of Edgeworth having limits to what he allows himself to do to earn his guilty verdicts. Up until now all we heard was "anything," as well as justifications as to why defendants deserve and need to be punished - "anything," by essence, implies not having limits.

It's not a contradiction. But it's a recontextualisation, and therefore a retcon.

I'm not going to give quotes or we'll be here the whole day, but we all know what 1-5 then does; SL-9, the Joe Darke killings, Gant's involvement.

By giving the rumours of forged evidence about Edgeworth a tangible starting point, the case reframes them, from something that he was previously implied to do routinely to a single event, one that was orchestrated behind his back and that he had no bearing on or even any idea it was happening. By establishing that Edgeworth does follow a moral code, his image of fearless prosecutor is deconstructed even further; where in 1-4 we were given a reason for his actions, now we are actually being told his actions weren't as severe as hearsay (and Phoenix's bias) led us to believe.

The case also introduces the idea of "working with the defence" and the search of the truth to Edgeworth, which plants the seed for his eventual return in 2-4 and deepens his character arc a little more.

Thematically, I personally think 1-5 inserts itself very well into the larger narrative. It plays with both themes and facts established by game 1 and teases themes and facts that will come in the next games (2-4, all of game 4). However it does recontextualise Edgeworth's arc by establishing he never willfully forged evidence, contrarily to what was previously implied, and giving him a retroactive caveat to his policy of "anything to achieve his guilty verdict" that hadn't existed before. Therefore, it is a retcon, albeit one that works, in my opinion, well within the larger arc of the games and with Edgeworth's character.


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11 months ago

today, you'll never guess what happened at gourd lake


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10 months ago

I agree with everything you said, Azalea! Also here's the exact quote from Farewell My Turnabout:

(You really let me down…) When you disappeared, I felt… betrayed. The reason I decided to become a lawyer to begin with… Was because I believed in the things you said to me, all those years ago… And you… You betrayed your own words. That's why… one year ago, I made up my mind. I decided that the Miles Edgeworth I knew had died… …At least, that's what I told myself.

This line from Phoenix is so so interesting and akdjfdjhskjfdgjh I want to sink my teeth into it. One day, I will write a longer analysis on this but...

No matter if Phoenix truly thought Miles was dead or not, I think this quote makes it clear that Phoenix decided that Miles was dead to him. Phoenix couldn't handle the abandonment, the fear that after everything he did people would still inevitably leave him. So he turned to resentment and killed off "the Miles Edgeworth I knew". Because if Miles had always been the "Demon Prosecutor" obsessed with guilty verdicts (which is what Phoenix keeps accusing him of in 2-4), then Phoenix could dismiss his belief in Miles. Phoenix could dismiss all his efforts and desire to save Miles.

So Phoenix wouldn't have to deal with the pain of believing in and being attached to someone so much... only for them to leave him... again (coughs in Dahlia/Iris).

HOT TAKE: Phoenix should have known Edgeworth was still alive during the “chooses death” era. Gumshoe probably would have told him if he had asked, he was just too busy overreacting.

Lmao hello there you :P I know who you are. You probably are expecting this but I'm sorry to say:

Strongly agree | Agree | Neutral | Disagree | Strongly disagree

Yes, it's true, they didn't find Edgeworth's body, but when someone learns about a note that says the person "chooses death" I think it's difficult to say that thinking they're dead is overreacting lol. Edgeworth was gone, he was gone for an entire year, which is a long time for someone to be missing; usually at that point, if the person doesn't turn up, there's a good chance they are dead - and there was the suicide note on top of things. It's not an unreasonable thing to think, and Phoenix was grieving the best he could, so I also don't think it's very fair to expect him to be perfectly rational in those circumstances. Besides, he seems to still be struggling to accept it by the events of JFA, which honestly tracks with the fact he never got closure.

Besides... there are lines in the game implying that Phoenix did think Edgeworth was alive (something like "you were dead to me" if I recall correctly), and that he resented him for leaving, not dying. Personally I think his behaviour screams of repressed grief and denial, but the alternative interpretation is there.


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2 weeks ago

Something I'm fond of saying is "The villain drives the plot but the hero sets the tone." Something that's very important about this is that the resolution to the conflicts presented need to match the hero's tone. If your story doesn't believe problems can be solved the way the hero wants to solve them... why is this the hero?

If you want your problems to be solved with brutal catharsis, then your hero should be someone who believes in brutal catharsis.

If you want your problems to be solved with forgiveness and reconciliation, then your hero should be someone who believes in forgiveness and reconciliation.

They don't have to begin there. This can be something they come around to over the course of the story, as they grow and change per their character arc. But by the time of their ultimate encounter with the villain, their values should be the values that drive the story forward.

There's this thing in D&D that some DMs do. Where, when you roll enough damage to deplete the monster's hit points, they'll turn to you and say, "That's a kill. Describe for the group how you take the monster down." And you're allowed to come up with some cool maneuver or something that your character did in order to deliver the finishing blow.

The hero's ultimate triumph over the villain is a lot like this. More than any other part of the story, this moment is their apotheosis. It should be a celebration of everything they are and everything they stand for.

You have defeated the villain; Now describe for the group what form that victory takes.


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1 year ago

I love this conversation so much.

It's clear in RFTA that Phoenix had an idea of how Edgeworth was supposed to heal after this. Kill the prosecutor in your OR let it help you grow... But Edgeworth did both. He had to kill off his old self before he could truly heal.

Do you think this conversation haunted Phoenix before Edgeworth came back

Edgeworth in the defendant's lobby. He's gripping his elbow and looks miserable. His text box says "Not only that, but I don't even trust myself anymore. Chief Gant was right..."
Edgeworth now looks serious. His text box says "That thought terrifies me. That's why I can't continue on as a prosecutor!"
Edgeworth now looks neutral. Phoenix has a text box saying "Well, whatever you do, just remember."
Phoenix's text box now says "You can let what happened kill the prosecutor in you, or you can let it help you grow."
Phoenix's text box now says "In the end, it's up to you."
Edgeworth now looks bashful. His text box says "I know... It seems I owe you my thanks too, Wright."
Edgeworth now looks serious. His text box says "But what I face now... is my problem."
The text box now belongs to Phoenix. It says "Edgeworth... I'll be waiting for you in court."
Edgeworth now looks neutral. His text box says "... Farewell."

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11 months ago

Someone finally said it!!! Edgeworth is a very nuanced character. He is more than his trauma, his "unnecessary feelings" for Phoenix, or his emotional constipation. Narumitsu is not a one-sided Phoenix saves Edgeworth all the time dynamic. They're equals! Does Edgeworth's insistence in Farewell My Turnabout that Phoenix is not a hero mean nothing? I want to do like a proper analysis of this sometime, probably after I finish Trials & Tribulations...

okay here’s a secret for you guys: i actually prefer mtnr over nrmt

im not even sure why LMAO the second i started shipping nrmt i automatically pictured miles as the top like it just came naturally to me ig?

idk what it is about him that comes off that way to me but in all the ships i like the serious character is automatically a top for me so..

and because of that i got genuinely suprised when i found out that bottom!miles was way more popular in fanart/fics than i initially thought

like i didn’t mind at first because im not THAT obssessed with top/bottom dynamics i didn’t care too much about that stuff as long as it’s a ship i like and i’ll forever be grateful and happy that i get to see content of my fav ship everyday regardless of it’s specific contents/character dynamics it’s just a personal preference that’s all <3

but ngl there are times where i get kinda miffed about how miles *specifically* is protrayed in these fanworks because they always… woobify him? and don’t get me wrong ur free to protray him however u want pls don’t let me stop u this is only my opinion😭

they always baby him too much and take away his most defining traits like his ruthlessness and intelligence so they could turn him into this oh so angsty sad little boy who cannot intuit any emotion that’s not sadness or grief and needs to be taught how to feel happy by phoenix all the time as if he isn’t capable of doing it himself and needs to be handheld constantly

idk about u guys but miles’ character isn’t just about him struggling with unecessary feelings or missing his dad or whatever and yes that’s a huge part of him but what im saying is that’s not the ONLY big part of miles as a character

let’s not forget this is the same dude who told someone he didn’t gaf if they k worded themselves and he spent the last couple years prior to reuniting with phoenix SENDING INNOCENT PEOPLE TO JAIL OR POSSIBLY EVEN GETTING THEM THE DEATH PENALTY like this man’s ruthless as shit even after his character arc which really shows that von karma’s influence will forever be a part of him no matter how much he changed😭 he’s not evil or malicious but he’s not ur “sweet and sad widdle boy who we must protecc🥺” either

i dont like it when ppl dumb down this ruthless, intelligent and traumatized man to “aww my poor sad widdle baby” no offense but that’s not miles anymore that’s a whole ahh oc atp LMAOOO

I absolutely LOVE it tho when people dive into his darker side it’s such a refreshing thing to see ppl do with his character like YES give me more fics where miles is willing to bend the law if it's gets in the way of the truth, and it has ACTUALLY HAPPENED BEFORE!!!

it’s also another reason why i like mtnr because the fans of that dynamic actually DO explore this side of him a lot more where he’s more in control of everything and just takes charge and does whatever tf he wants without caring about what others think it’s a really nice change for once LOL but said fanworks are few and really hard to find

and also ppl always think miles is the most law-abiding citizen in society or whatever but i think that's bcuz him being prosecutor (one of the best too) and how much he loves his job automatically means that he’ll follow the rules to the ends of the earth or something but it’s been shown multiple times that he cares more about the truth than law itself ESPECIALLY if said law prevents him from knowing what really happened

sorry if this comes off as mean and i genuinely do not have a problem with ooc protrayals hell i LOVE ooc fanworks they’re super fun and i eat those shit up like a full course meal it’s just that miles get babied by the fandom so much more than phoenix does and hardly anyone ever talks about his morally gray side that’s willing to commit literal crimes to bring the truth to light in favor of turning him into the poster boy for ace attorney angst and it just kinda annoys me sometimes💀

this was supposed to be me talking about nrmt dynamics but it turned into a miles character analysis(?) instead… whoops


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Jen || she/her || 20 I write analysis and meta about my favorite pieces of media! — mostly an Ace Attorney blog [playing AAI2-2]

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