Part 5/6 - Prince Humperdinck and Count Rugen (The Prince and the Count)
Part 1 - The Family | 2 - Style | 3 - The Sicilian Assassins | 4 - Buttercup and Westley | 6 - Florin Castle
I loved Chris Sarandon's curls so although I eventually went in the direction of a shorter cut for Humperdinck, I wanted to keep some sort of waviness to his hair. I also wanted to make sure that it was clear that Humperdinck is a hunter and at the same time have an almost wild and animal-like feeling to him so the wavy hair helped bring it to that direction.
In the books Humperdinck is described as "weighed close to 250 pounds, brick hard". Although in the books he is not tall, I did not want the leading antagonists of both the first and back half of the series to BOTH be short (Vizzini and Humperdinck). Felt like I would be sending a not so good message.
For Count Rugen, I went with black so that there would be a transfer of association from Man-in-Black/Dread Pirate Roberts/Secretly Westley in the first part of the series to Count Rugen later on. Diagonal slashes on clothing was a more northern style plus it makes him look even more like death which is in line with the whole Executioner-Grim Reaper direction I wanted to go with him.
Differentiating him from Inigo was also important. So although I went towards a thin direction for both, everything else about them is a contrast. While Inigo was meant to have a flamboyance and a certain “Fencing is life and my passion” feeling, for Count Rugen the idea was that although he is a master Fencer, his purpose is death and fencing is one of the ways he does it kind of thing.
Made a sketch of bearded glasses guy from this coloured study.
Another one from yesterday.
Come as you go, 2017 Acrylic on canvas 50.8 cm x 30.1 cm (20 in x 15 in)
Possible sister of Cloé 🤔
Here’s a sketch deep within my drawings folder from two years ago (2016)
A mini project I did based on a wedding I attended in a dream 😁
The Knight’s final design is a combination of the two versions I uploaded 😊
Although I’m not very satisfied with how I painted the illustration, I learned a lot and the app werble is pretty awesome.
Cloé.
Here’s a quickie of one of the characters I’ve been working on for the past month.
Happy Valentines Day! Here’s Cyrus and Stella.
Cyrus is the crown-prince of Cloud Kingdom. Stella is an awesome sword fighting warrior that can kick-ass and rock a beautiful dress like a model.
This illustration of Stella was actually a rough draft drawn over a year ago to get a feel of the more traditionally feminine aspect of her design and her overall character. This is actually her first coloured draft (without Cyrus). The one found here was the second. This is her in a formal outfit for an event or a similar scenario. I just added Cyrus (and Stella’s right arm, which is hooked onto Cyrus’) recently because his design took some time for me to really figure it, and in fact he’s still undergoing many (mostly) minor edits so that I can really get him right.
The second illustration is a sketch I did on my notebook to help incorporate Cyrus into the already existing illustration of Stella. As you can see in the sketch, this version of Cyrus’ formal attire has a slight Indian influence to it while keeping a Mesopotamian and Assyrian touch.
A motorcyclist study I did in pen from some online references to help me with Harvey.
Part 6/6 - The Kingdom of Florin
Part 1 - The Family | 2 - Style | 3 - The Sicilian Assassins | 4 - Buttercup and Westley | 5 - The Prince and the Count
The seat of power for the Kingdom of Florin is a Military Fortress built on top of a seaside cliff.
Instead of elegant Gothic spires which was popular during the 15th and 16th century, Florin Castle is a bulky and imposing fortress reflecting the Military nature of the country, its simple people, Buttercup’s prison-like experience, and its ruler — Prince Humperdinck.
One of the challenges I encountered for the castle design was keeping the colours saturated enough to match the palette of the project while keeping the emotional geography of “prison” in tact. Although a violet palette was explored, the red brick that is common in Northern European architecture gave a more militaristic no frills impression that is more in line with the Kingdom and its Prince.
After many sketches, I realised that a country celebrating its 500th anniversary would probably have a castle built far before the current century. So incorporating a bulkier Romanesque style Keep as the castle’s foundation is what finally made things come together and give it a solid direction. Since Florin is a Militaristic state, it would make sense for them to continually be making Military advances, so one of the Castle’s most recent evolution/natural progression is a towards a very early prototype of a Bastion Fort. This makes Florin castle the most advanced, secure, and fortified structures in the land while upping the stakes for the infiltration during the near end of the series.
Fun Fact! While looking for references of Danish Castles, I came across an old map of Kronborg Castle. (Just google "old map of Kronborg castle", you'll see it right away) I thought it looked super familiar and I realised that it actually looked very similar to the layout of the Map of Florin and Guilder! So I included the bonus map I was required to submit.